Maker, executive and previous individual from Censor Board, Keti Reddy Jagadeswar Reddy is requesting the prohibition on the film discharge on Oct 5 refering to that the film will impact individuals in help of a specific gathering and composed letters to Election Commission, Union Home Ministry, Governor,DGP. Vijay Devarakonda prior passed a wry comment on the Censor Board pondering whether his film will get A testament in Telugu after it got U authentication in Tamil.Īs of now. As per the most recent it is turning out that the individuals from the Censor Board proposed cancellation of couple of scenes and dialogues before guaranteeing the film.Ī source shares, The Censor Board has seen that specific scenes and discoursed in NOTA can be prohibited to maintain a strategic distance from a debate, and the producers have obliged. Vijay Devarakonads is going ultra forceful to accelerate the issues. Spot the difference! Interesting in plot, weak in execution, unrealistic and unconvincing main lead.Geetha Govindam Starrer’s political spine chiller NOTA coordinated by Anand Shankar which is slated for a stupendous discharge on Oct 5, is arriving in different languages. There has been a spate of Telugu films where the protagonist assumes dictatorial powers to empower people. Late British politician Tony Benn, before standing down as MP, famously said he was quitting parliament because he wanted to focus on politics. These are not political, but just another excuse to show heroics of the lead guy under the guise of "alternate politics" - a strange non existing beast. These are absurd interpretations of not so well informed writers, with politicians reduced to cartoons. Films like NOTA do not inspire such confidence. Both are nevertheless credited with closely mirroring the reality, passing KoKu's test. So is the case with 'House of cards (2013-18)', rather outlandish sinister interpretation of politics on the other side of the Atlantic. "Yes, minister (1980-88)" the British political satire and its sequels fall in this category, with comical interpretation of dour British political developments. Ko.Ku (Kodavatiganti Kutumbarao) remarks somewhere that one should not write stories set in an environment the writer is not familiar with. His CM position does not prevent him from irresponsibly getting drunk, shown to be funny, cool, glamorous and trendy. On the one hand he is a playboy clubber, to please some section of the audience, next he is foreign returned, with supposedly thoughtful sophisticated concerns on corruption, to please another section, and then forgetting the sophistication, morphs into "rowdy CM" which excites "mass". However Varun's characterization is pretty weak. There are two lead women who are mercifully spared usual song and dance ensemble with the hero. Then we come to know of some twists that entwine the lives of Varun, Vinothan and Mahendra. Nasser takes up where he left off in Bahubali too, sounding more menacing than ever, plotting against his own son at some point. Satyaraj as Mahendra continues his Bhishma kind of kindly demeanour from Bahubali, radiating even more benevolence and advises Varun as if the latter were a philosopher king. Kicking away the context to foreign countries is a device used to take liberties with the plot. Apparently, game companies that operate on tight budgets and often go to wall, have funds for such an enterprise. Varun starts investigating all this and dispatches one of his game designer colleagues to hack Panama accounts. Secret accounts of political leaders in Panama stashing thousands of crores an odious Swamiji befriending Vinothan, with power on the latter's political influence, and Lord of the Rings' Sauron like eye on his material affluence. This film spans additional threads in the vogue. The story repeats, first as a tragedy, next as farcical Telugu films. These one man dictatorial shows existed in real life too, in the past century. We have seen this before, Leader (2010), Bharat ane nenu (2018), and this is yet another muddled romantic vision of bringing just democracy to people with dictatorial powers and near unlimited money supply. How lovely! There starts a one man army to transform the state in one fell swoop, doing nice things to people. He wants to celebrate his birthday in an orphanage. He also got a tender heart which he serves as a side dish on special occasions. Varun is a fun loving chap, but the guy works in London, as if to hint that he is apart and did not inherit dad's traits. Varun (Vijay Devarakonda), a chief minister's happy-go-lucky son inherits that august position, in time honoured Indian political tradition, when the dad Vinothan (Nasser), grounded by corruption cases, resigns.
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